directed by=Tate Taylor
Genre=Thriller, Crime
2020
countries=USA
tomatometers=6,1 of 10

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Evernote. Evening gowns. Eve hewson. Everything cross stitch. Jessica Chastain is the only reason to watch this film. Without her it would rate 1 star only. It's like the writer has pieced this together from a thousand other genre similar B movies, then conned an A grade lead to lend it credibility. Truly dreadful. Everson griffen. Eve sanderson. I guess this is an attempt at a female driven action movie but its a total faceplant.
The lead tries hard enough but at least get in shape for the role. She doesn't seem like she could peel a banana let alone take out dozens of armed men.
Little girls could get empowered etc which I suppose is the point but overall this could have been far better.

Ève curie. Everett herald. 21 August 2020 | expe67 3 | Boring and cliché No real reason for this movie to be made. 100% predictable, no likeable characters, no one to root for, chastain kicks ass just about everyone but does not seem strong or body trained, the whole thing is also does not possess the star power to like her and stupid. Eve nakliyat. Evening dresses. Eve best. Événement. Everyone. (Dr. Ava Kay Avalos, BA, MA Dance, MD, PhD) Born 1964 in San Diego, CA. Took Sannyas in Poona Dec 1979 aged 15 and moved to Rajneeshpuram July 1982. Studied at UC Berkeley and UCLA. Studied Infectious Diseases at London School of Hygiene & Tropical Medicine Now living in Botswana, working at the Ministry of Health of Botswana and is the director at the Careena Center of Health. Contact Details address Gaborone Botswana phones Phone: +267 74 002 297 Mobile: Skype: email website Dr Ava Avalos PhD see also Ava at ResearchGate Ava at Virology Education Ava on facebook The City of Rajneeshpuram.

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Eversource. Every home. Ava (2020) is about 75% chick flick, 20% action/thriller, and 5% what Roger Ebert would have termed a cigarette-smoking movie. The chick flick portions are a dreary mix of alcohol and substance abuse, sibling rivalries, family betrayal, domestic discord, and daddy issues. The daddy issues spill over into and often overshadow the action scenes, where the protagonist's mentor is a surrogate daddy figure confronting palace intrigue orchestrated by a pretender to the throne.
The action scenes are well done with excellent fight choreography, but too few and too far between, and are nearly always confined - to a single room, the back seat of a SUV, a patio deck or a small section of a jogging path. They are often dimly lit, presumably to hide cables and the substitution of stunt performers.
Political correctitude and inclusiveness often proves distracting in recent films, and Ava is no exception. However, the diverse pairings of combatants in Ava prove interesting, with women fighting each other and men, and an elderly man fighting a much younger one. But #MeToo seems to have trumped inclusion, as the assassination targets are overwhelmingly male.
Ava is not a particularly likeable or sympathetic character. She has issues and insecurities, no love life, and tensions with her family, employer and ex- fiancé. People fear her and respect her reputation, but nobody much likes her. Jessica Chastain does as well as can be expected with the script she's given - a mishmash of familiar tropes hobbled by compulsory woke elements.
Smoking seems problematic. Ava smokes constantly and seems to inhale more smoke than fresh air. The effects seem obvious on Chastain's face, as she looks closer to 53 than 43, but also on her physiology, as she seems perhaps ten kilos over fighting trim. Yet she is supposed to be a top assassin, capable of defeating multiple highly-trained opponents in armed and unarmed combat. The fight scenes are well choreographed and Chastain seems to do much, if not all, of her own work. But when the action slows to a crawl, she looks more like a middle-aged soccer mom than a finely-honed killing machine who jogs for exercise, holds her breath for an extended period, and engages in exhausting fights that last longer than professional boxing rounds.
While Ava doesn't seem to have a love life, she navigates her way through two bedroom scenes, but without removing her clothing. Both scenes seem more perfunctory than impassioned.
Motivations seem a bit murky in both the chick flick and action scenes. Characters act in manners designed to facilitate plot progression, not as one might expect rational characters to behave under such circumstances. In one scene, a character abandons several weapons and walks away unarmed after a particularly tenacious character threatens to kill him.
Ava asks her victims if they know why they're targeted for assassination. She seems to have a deep-seated need to know and to justify her own actions, although she seems remorseless. Yet, the filmmakers never realize that the audience also needs to know in order decide where their sympathies lie.
Production values are more than adequate, with credible performances by Chastain, Malkovich, Farrell, Common, and Davis. The action plot suffers from a lack of originality, a surfeit of emotional baggage, one-dimensional victims, a lack of credible response from law enforcement which can't seem to figure out that Ava was in each of forty-one exotic locations at the time of high-profile assassinations and also in several hotel rooms that were shot up, and a more credible protagonist who either doesn't smoke or is actually short of breath after intense exertion.

Evelyn yang. Eve kilcher. Eve killboard. This is the story of a woman who kills people for money. It is hard to predict the next scene. The action and fighting scenes are well-directed. I liked the background music. I liked the movements of the camera. Jessica Chastain was awesome. Colin Farrell was very good as always. However, I know that this is only 20% of Colin's talent. He didn't have that much play in the story. In summary, if you are a fan of action movies, this will be a nice pick for you.

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